Chairs Bruno de Carvalho Levíssima Chair The materialization of a pursuit for visual lightness, inspired by the sophisticated work of master Joaquim Tenreiro, gave life to the Levíssima Chair. In this version, where carbon steel is replaced by aluminum, the need to elevate the product's name became evident—what was once called "Leve" (Light) is now named Levíssima. The mixed structure of wood and aluminum allows the rear legs to be connected only at the height of the backrest. The seat and backrest—meticulously crafted in leather—rest delicately on the aluminum frames, further reinforcing the artist’s vision. Designer | Bruno de Carvalho Measurements 460 L | 580 P | 790 H mm (18.1" L | 22.8" D | 31.1" H) Materials tauari cachimbo and sucupira metallic paint: light gold varnish, havana, and duene vermont havana, vermont duene, cascata havana, cascata cognac, kaleidos fumo, and kaleidos light tan leathers Download Bruno de Carvalho Request Quote

Conheça quem está por trás da +55design. Sócias fundadoras e curadora. WHO WE ARE A 100% Brazilian design brand, we specialize in creating exclusive furniture pieces, each signed by one of 14 renowned designers under the curatorship of Clarissa Schneider. We value care and delicacy—emotion and meaning. For us, every detail counts: from foam crafted with state-of-the-art machinery and raw materials sourced exclusively from Brazil, to partnerships that celebrate the richness of our cultural heritage. Our creative process unfolds like a grand symphony, gaining rhythm with each stage—from sketching to sculpting, calendering to stitching, machining to cutting. If the art of bringing furniture to life is akin to conducting an orchestra—with cutting-edge tools in the hands of a skilled team—then our store is a dance of interiors. Designed by Studio Arthur Casas, it was honored with the prestigious Building of the Year 2025 award. Every choice contributes to a larger harmony. Volumes, proportions, geometries, and fittings—each element sparks dialogue and evokes a sense of meaningful complementarity. Our products carry an accent, a culture, and the essence of Brazil’s many corners. We collaborate with key furniture industry hubs in São Paulo and the southern region, alongside artisan associations from the hinterlands of the Northeast and the backlands of Minas Gerais. Our network also extends to partnerships with Indigenous and riverside communities in the heart of the Amazon. Ticiana Villas Boas founding partner A journalist by training and profession, Ticiana is deeply passionate about design and Brazilian folk art. What began as a personal interest evolved into a fulfilling parallel career, which she now balances with her ongoing work in journalism. Over the course of fifteen years, she worked as a TV host and reporter for some of Brazil’s leading networks, including SBT and Band. "I love listening to and telling stories—uncovering the 'why' behind things. At +55design, every piece of furniture or object holds meaning and carries a dream." Clarissa Schneider curator Clarissa holds a degree in Advertising and Marketing from Belas Artes. She began her career as a copywriter and creative director at both national and international advertising agencies, later transitioning into design at the now-closed Camaleão studio, which she co-founded. For 14 years, she served as editor-in-chief of Casa Vogue Brasil. In 2011, she launched her own publication, Bamboo—now one of Brazil’s most prestigious magazines dedicated to architecture, urbanism, design, and art. Beyond editorial work, Clarissa consults for national and international brands, curates architecture and design projects, and brings her discerning eye to prominent competitions such as Casa Cor São Paulo, Um Sonho de Banheiro Deca, and Portobello. In recognition of her contributions to the field, she was named Journalist of the Year by the Brasil Design Award in 2005. ART More than furniture—art pieces. We create with the intention that our designs endure through time, inhabiting homes that echo the atmosphere of galleries, where every detail is meant to be observed with care, emotion, and a discerning eye. We’ve participated in recent editions of SP-Arte through meaningful collaborations. One of them was with J. Borges, the celebrated master of Brazilian folk art, who signed a collection of eight pieces featuring surfaces engraved with woodcut matrices carved by his own hands. In the year prior, our partnership with Projeto Soma resulted in a series of nine animal-shaped stools—bodies designed and built by Rodrigo Silveira, with heads and tails sculpted by Mehinako Indigenous artisans from the Upper Xingu. Throughout our five-year journey, our showroom has hosted works by various artists, including visual artist Heloisa Crocco, who transformed leftover leather from our factory into striking compositions. We’ve also combined reclaimed wood and industrial remnants to create wall pieces rich in form and texture. We see Brazilian craftsmanship and manual artistry—from leather to wood, from stitching to sculpting—as vital expressions of identity. These traditions infuse contemporary art with layers of history, emotion, and meaning. MADE BY BRAZILIANS We like to say that our brand speaks with an accent—and a touch of dendê—a tribute to the Bahian roots of our founders. Though based in Brazil’s Southeast, our journey spans the entire country—from North to South, Northeast to Center-West. Our collection reflects the richness of each region, proudly carrying the international code that connects us to the world: +55. Every piece captures the spirit of Brazil through its forms and inspirations—like the Envelope armchair, crafted with techniques rooted in Gaucho tradition; the Cabaça armchair, shaped by Bahian identity; the Sylvia line, echoing the architectural curves of Brasília; and the Carioca collection of sofas and chairs, among many others. ENVIRONMENTAL IMPACT At +55design, environmental responsibility extends beyond the wood we use. Our fabrics are natural and organic, with 22% of them made from recycled materials. They are free from chemicals in their production and have a reduced water consumption. In addition to our commitment to the environment, we continually foster partnerships with social projects and communities across the country that honor traditional craftsmanship. Among these are the Baniwa indigenous group, who designed the Arumã lamp in collaboration with studio MK27; the Kayapo people, who painted cushions for the brand; Araucária Arte em Lã, a network of women who co-created blankets with us; the Maravilha Handicraft Group, who crafted the Ambé vine baskets for the Dona Antônia lamp, a process certified by the IMAFLORA seal; and the Women’s Association of Piauí, who developed the Ashansu panel, a 100% handcrafted piece by artisan Iraci, made from Carnaúba fiber.

Adalfan Filho Adalfan is a curious individual who enjoys learning and exercising creativity. " We know that people's daily lives can be more enjoyable and affectionate, and for this reason, I present a furniture collection that offers simplicity, lightness, and a touch of boldness." "During one of my trips, while observing the way the locals sat and taking note of the typical furniture from the farms I visited, I decided to create a contemporary reinterpretation of a wooden chair I discovered at my grandfather's house. The culture of northeastern Brazil is my inspiration."

Com inspiração na estrutura do banco Butterfly criado por Sori Yanagi, a banqueta Garça tem apenas a estrutura de metal; o assento em material flexível lhe confere excelente conforto. Os pés se destacam, permitindo o empilhamento, e a montagem é feita com apenas dois parafusos que unem as duas partes da peça. Benches and Stools Studio Faro Garça Bar Stool Inspired by the structure of the Butterfly stool by Sori Yanagi, the Garça stool features a metal-only frame; the flexible seat material provides excellent comfort. The standout legs allow for stacking, and the assembly requires just two screws to join the two parts of the piece. Designer | Studio Faro Measurements 490 | 590 | 1100 mm (19.29" | 23.23" | 43.31") 540 | 590 | 990 mm (21.26" | 23.23" | 38.98") Materials +55 leathers or canvas painted steel in champagne, onyx, or corten Download Studio Faro Request Quote

Marilia Pellegrini "It may seem strange that a piece of furniture can convey peace. But my idea is that, with subtle shapes and colors, the result should be one of tranquility." Marilia Pellegrini graduated in Architecture and Urbanism from the Federal University of Minas Gerais (UFMG) in 2001. Her professional experience began while she was still in college, working with the Minas Gerais architect Carlos Alexandre Dumond, known as Carico.

Outdoor Furniture Ricardo Bello Dias Bello Dining Table "Balance and serenity in the creation of a system of sofas and tables, where the combination of their modules and accessories provide functional and harmonious compositions." Designer | Ricardo Bello Dias Measurements 2000 L | 900 P | 740 H mm ("78.74 L" | "35.43 P" | "29.13 H") 2400 L | 900 P | 740 H mm ("94.49 L" | "35.43 P" | "29.13 H") 2600 L | 900 P | 740 H mm ("102.36 L" | "35.43 P" | "29.13 H") 2600 L | 900 P | 1050 H mm ("102.36 L" | "35.43 P" | "41.34 H") Materials premium teak wood Download Ricardo Bello Dias Request Quote

Sofas Marilia Pellegrini Palato Sofa At the tip of the tongue – and the pencil – a sofa with a sleek, disruptive design blends materials and textures to create something truly innovative. Inspired by organic shapes, the designer draws a subtle connection to the human body, incorporating a gap in the backrest that evokes the roof of the mouth, paired with a small round cushion symbolizing the uvula, the 'drop of the throat.' And so, the Palato sofa is born. Designer | Marilia Pellegrini Measurements 2460 L | 880 P | 780 H mm (96.9" L | 34.6" D | 30.7" H) Materials sucupira, cachimbo tauari, natural tauari, stained or ebonized +55 leathers and fabrics Download Marilia Pellegrini Request Quote

Sideboards and Bars Bruno de Carvalho Sylvia Sideboard Like architecture, the Sylvia bar is elevated on pilotis that start from the ground, pass through the semi-transparent volume, and extend beyond the roof, supporting a cut slab. The wooden box is surrounded by a kind of woven skin made of silk straw, allowing a view through it. At the top, the crown of the piece serves as a support for bottles. "The design is certainly a result of what I learned during my academic training, in a school strongly influenced by modernism. In Sylvia, I envision the lines of a house I would certainly design if I worked as an architect," adds the designer. The bar unfolds into a collection also composed of a sideboard and home unit. Designer | Bruno de Carvalho Measurements 1050 L | 500 P | 900 H mm (41.34" | 19.69" | 35.43") 2100 L | 500 P | 900 H mm (82.68" | 19.69" | 35.43") 2620 L | 500 P | 900 H mm (103.15" | 19.69" | 35.43") Materials natural Tauari wood with natural dyed pine silk straw sucupira wood with natural dyed chlorophyll silk straw ebonized wood with chemically dyed black silk straw Download Bruno de Carvalho Request Quote

Outdoor Furniture Ricardo Bello Dias Bello Outdoor Table "The concept of simplicity is tied to values such as balance and serenity—qualities that align with +55's sustainable and ethical philosophy. ‘Un alloggio, the art of being simple.’" Designer | Ricardo Bello Dias Measurements L 2000 | P 900 | H 740 mm (78.74" | 35.43" | 29.13") L 2400 | P 900 | H 740 mm (94.49" | 35.43" | 29.13") L 2600 | P 900 | H 740 mm (102.36" | 35.43" | 29.13") L 3000 | P 900 | H 740 mm (118.11" | 35.43" | 29.13") L 3200 | P 900 | H 740 mm (126.00" | 35.43" | 29.13") Materials premium teak Download Ricardo Bello Dias Request Quote

Coffee Tables Bruno de Carvalho Louvre Side Table With elegant and functional design, the Louvre side table is the perfect companion for those seeking versatility and practicality. To add personality to the table, the designer proposes the unusual use of leather: a raw leather cord is applied by hand around the stem of the product, creating a new coating that adds texture and refers to the brand's DNA. The base, with a metal counterweight coated in brass, not only ensures stability but also features an EVA underbase to protect the floor. Designer | Bruno de Carvalho Measurements 500 L | 500 P | 500 H mm (19.7" L | 19.7" P | 19.7" H) Materials polished brass with varnish protection tauari cachimbo leather cord Download Bruno de Carvalho Request Quote

Neca Abrantes Neca Abrantes holds a degree in Interior Design from the Panamericana School of Arts and a degree in Furniture Design from the Domus Academy in Milan, Italy. "With a focus on living and coexisting with quality, practicality, and beauty, I always strive to make my clients' dreams come true." She finds her tools in daily life, through travel, and her experience with clients. Her inspiration comes from the daily work of designing homes and offices.

Em busca de proporcionar conforto aos que visitassem seu filho recém-nascido, o designer desenvolveu o sofá Joaquim, numa homenagem ao seu primogênito. Com referências do modernismo brasileiro aplicadas a uma contemporaneidade, a peça traz um jogo de volumes, transparências e estruturas em balanço com materialidades como madeira e palha sextavada de algodão cru. A coleção também se desdobra em outros sofás, poltronas, chaises e módulos. Sofas Bruno de Carvalho Joaquim Sofa In an effort to offer comfort to those visiting his newborn son, the designer created the Joaquim sofa as a tribute to his firstborn. Drawing from Brazilian modernism while embracing a contemporary aesthetic, the piece features a play of volumes, transparency, and cantilevered structures, incorporating materials such as wood and raw cotton hexagonal cane. The collection also extends to other sofas, armchairs, chaises, and modular pieces. Designer | Bruno de Carvalho Measurements One armrest 2000 L | 820 D | 650 H mm (78.7" L | 32.3" D | 25.6" H) 2650 L | 820 D | 650 H mm (104.3" L | 32.3" D | 25.6" H) 3000 L | 820 D | 650 H mm (118.1" L | 32.3" D | 25.6" H) Two armrests 2050 L | 820 D | 650 H mm (80.7" L x 32.3" D x 25.6" H), 2600 L | 820 D | 650 H mm (102.4" L x 32.3" D x 25.6" H) 3050 L | 820 D | 650 H mm (120.1" L x 32.3" D x 25.6" H) With side table 2600 L | 820 D | 650 H mm (102.4" L | 32.3" D | 25.6" H) 3000 L | 820 D | 650 H mm (118.1" L | 32.3" D | 25.6" H) Materials sucupira, tauari cachimbo, natural, stained, or ebonized tauari +55 fabrics and raw cotton cane webbing Download Bruno de Carvalho Request Quote