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  • Emma Coffee Table | +55design

    Coffee Tables Vik Muniz Emma Coffee Table A button collector, Vik Muniz proposes an enlarged version of this object that has always fascinated him. In this coffee table, the artist, in partnership with +55design, offers three material options. While the wood is machined using CNC equipment, the stones – new to the brand – add grandeur with their nearly 300 kilos. Created using cutting-edge technology, they feature solid Tauari wood legs certified by the FSC seal. Designer | Vik Muniz Measurements 1200 Ø | 300 H ("47.24 Ø" | "11.81 H") Materials tauari cachimbo, white Itaúna, and Kilimanjaro stones Download Vik Muniz Request Quote

  • Curva Armchair | +55design

    Armchairs Metro Architects Curva Armchair A single basic module—composed of a structural piece in wood and steel, along with leather cushions—connects through gaps, channels, and joints that highlight the independence of each part. Designer | Metro Architects Measurements 850 L | 820 P | 730 H mm (33.46" L | 32.28" P | 28.74" H) Materials canela, sucupira, natural tauari or ebonizado +55 leather Download Metro Architects Request Quote

  • Abraço Dining Table | +55design

    Outdoor Furniture Marília Pellegrini Abraço Dining Table Studies have shown that hugging a tree has high therapeutic power (Forest Therapy). And it is with this spirit that the ABRAÇO metal table was created, gently embracing the tree and promoting a sense of well-being for those sitting around it. Designer | Marilia Pellegrini Measurements 1800 L | 1800 P | 740 H mm (70.9" L | 70.9" P | 29.1" H) Materials aluminum Download Marilia Pellegrini Request Quote

  • Sylvia Sideboard | +55design

    Sideboards and Bars Bruno de Carvalho Sylvia Sideboard Like architecture, the Sylvia bar is elevated on pilotis that start from the ground, pass through the semi-transparent volume, and extend beyond the roof, supporting a cut slab. The wooden box is surrounded by a kind of woven skin made of silk straw, allowing a view through it. At the top, the crown of the piece serves as a support for bottles. "The design is certainly a result of what I learned during my academic training, in a school strongly influenced by modernism. In Sylvia, I envision the lines of a house I would certainly design if I worked as an architect," adds the designer. The bar unfolds into a collection also composed of a sideboard and home unit. Designer | Bruno de Carvalho Measurements 1050 L | 500 P | 900 H mm (41.34" | 19.69" | 35.43") 2100 L | 500 P | 900 H mm (82.68" | 19.69" | 35.43") 2620 L | 500 P | 900 H mm (103.15" | 19.69" | 35.43") Materials natural Tauari wood with natural dyed pine silk straw sucupira wood with natural dyed chlorophyll silk straw ebonized wood with chemically dyed black silk straw Download Bruno de Carvalho Request Quote

  • Sela Floor Swing | +55design

    Armchairs Bruno de Carvalho Sela Floor Swing Inspired by the traditional craftsmanship of gaucho saddlery, the piece fulfills its main purpose when its gentle sway evokes the memory of horseback riding in the user. Designer | Bruno de Carvalho Measurements 700 L | 830 P | 680 H mm (27.6" L | 32.7" D | 26.8" H) Materials carbon steel, brass +55 leathers and fabrics Download Bruno de Carvalho Request Quote

  • Marilia Pellegrini | +55design

    Marilia Pellegrini "It may seem strange that a piece of furniture can convey peace. But my idea is that, with subtle shapes and colors, the result should be one of tranquility." Marilia Pellegrini graduated in Architecture and Urbanism from the Federal University of Minas Gerais (UFMG) in 2001. Her professional experience began while she was still in college, working with the Minas Gerais architect Carlos Alexandre Dumond, known as Carico.

  • Fora da Curva Sofa | +55design

    Sofas Bruno de Carvalho Fora da Curva Sofa The very name of this sofa reveals its authentic, sinuous essence, bringing a contemporary signature to any project it graces. Its shape follows a curvilinear approach, reminiscent of a snail shell unrolling, while the solid wood frame adds rhythm to the viewer’s gaze. These structural tables interlock like pieces of a puzzle, fastened by brass buttons, with the legs subtly revealed from the front, tucked beneath the seat. Comfort is achieved through a combination of five foams of varying densities, designed to fit together in a deliberate locking mechanism, much like a puzzle. The backrest is suspended from the seat by a metal plug. All of this is modular, allowing for playful customization. A sofa that is everything, but never obvious. Designer | Bruno de Carvalho Measurements 1 straight module 1200 + 1 backrest 1200 1200 L | 1100 D | 670 H (47" L | 43" D | 26" H) Straight module without backrest 1200 L | 750 D | 410 H (47" L | 30" D | 16" H) 1 straight module 1850 + 1 backrest 1200 1850 L | 1100 D | 670 H (73" L | 43" D | 26" H) Straight module without backrest 1850 L | 750 D | 410 H (73" L | 30" D | 16" H) 1 straight module 2400 + 1 backrest 1200 2400 L | 1100 D | 670 H (94" L | 43" D | 26" H) 1 straight module 2400 + 2 backrests 1200 2400 L | 1100 D | 670 H (94" L | 43" D | 26" H) Straight module without backres t 2400 L | 750 D | 410 H (94" L | 30" D | 16" H) 1 curved module 1760 + 1 backrest 1760 1760 L | 1100 D | 670 H (69" L | 43" D | 26" H) Curved module without backrest 1540 L | 750 D | 410 H (61" L | 30" D | 16" H) 1 curved module 2090 + 1 backrest 1760 2090 L | 1100 D | 670 H (82" L | 43" D | 26" H) Curved module without backrest 2090 L | 750 D | 410 H (82" L | 30" D | 16" H) Materials tauari cachimbo, sucupira pietra bouclet and cru bouclet aged brass Download Bruno de Carvalho Request Quote

  • Cerâmicas +55 | +55design

    Accessories Alice Felzenszwalb Ceramics "When I returned to Brazil, I set up my first studio in the garage. In the morning, I would take the car out to set up the table and the lathe, and before leaving, I had to put everything back in place again. It took a long time for the business to grow. Back then, people would say, 'Oh, how beautiful, this would look great in my country house.' They had a different perspective on ceramics. Nowadays, we have a more contemporary outlook." Valuing what is made by Brazilians is part of the DNA of +55 design. Designer | Alice Felzenszwalb Measurements various Materials ceramics Download Request Quote

  • Studio Faro Design | +55design

    Studio Faro Design "Design is not merely about appearance or function, but about the experience that emerges from their interaction." Studio Faro Design has always maintained a sharp focus on the potential of its regional surroundings, exploring local materials and traditional skills through a fresh lens. Its approach balances the intelligence and efficiency of industrial processes with the authenticity of artisanal craftsmanship.

  • Tango Desk | +55design

    Desks and Shelves Studio Faro Tango Desk The solid wood structure supports a leather-covered support that, in addition to freeing up surface space as it slides, hides wires and chargers that can be stored in the gap between the support and the tabletop. The design itself addresses the mechanism for fixation and sliding, while technology demands are solved with simplicity. Designer | Studio Faro Measurements 1330 L | 740 P | 750 H mm (52.4" L | 29.1" P | 29.5" H) Materials cachimbo tauari and natural Vermont leather Download Studio Faro Request Quote

  • Quem Somos | +55design

    Conheça quem está por trás da +55design. Sócias fundadoras e curadora. WHO WE ARE A 100% Brazilian design brand, we specialize in creating exclusive furniture pieces, each signed by one of 14 renowned designers under the curatorship of Clarissa Schneider. We value care and delicacy—emotion and meaning. For us, every detail counts: from foam crafted with state-of-the-art machinery and raw materials sourced exclusively from Brazil, to partnerships that celebrate the richness of our cultural heritage. Our creative process unfolds like a grand symphony, gaining rhythm with each stage—from sketching to sculpting, calendering to stitching, machining to cutting. If the art of bringing furniture to life is akin to conducting an orchestra—with cutting-edge tools in the hands of a skilled team—then our store is a dance of interiors. Designed by Studio Arthur Casas, it was honored with the prestigious Building of the Year 2025 award. Every choice contributes to a larger harmony. Volumes, proportions, geometries, and fittings—each element sparks dialogue and evokes a sense of meaningful complementarity. Our products carry an accent, a culture, and the essence of Brazil’s many corners. We collaborate with key furniture industry hubs in São Paulo and the southern region, alongside artisan associations from the hinterlands of the Northeast and the backlands of Minas Gerais. Our network also extends to partnerships with Indigenous and riverside communities in the heart of the Amazon. Ticiana Villas Boas founding partner A journalist by training and profession, Ticiana is deeply passionate about design and Brazilian folk art. What began as a personal interest evolved into a fulfilling parallel career, which she now balances with her ongoing work in journalism. Over the course of fifteen years, she worked as a TV host and reporter for some of Brazil’s leading networks, including SBT and Band. "I love listening to and telling stories—uncovering the 'why' behind things. At +55design, every piece of furniture or object holds meaning and carries a dream." Tatiana Amorim founding partner An interior designer with a strong background in commercial strategy, Tatiana has worked in the business side of the design industry since 1998. She studied Decoration at Escola Baiana de Decoração (EBADE) and Interior Design at the Federal University of Bahia (UFBA). Her purpose is to offer people products with meaning, authenticity, and functionality. "I'm passionate about Brazilian design, and +55design is the realization of a beautiful dream." Clarissa Schneider curator Clarissa holds a degree in Advertising and Marketing from Belas Artes. She began her career as a copywriter and creative director at both national and international advertising agencies, later transitioning into design at the now-closed Camaleão studio, which she co-founded. For 14 years, she served as editor-in-chief of Casa Vogue Brasil. In 2011, she launched her own publication, Bamboo—now one of Brazil’s most prestigious magazines dedicated to architecture, urbanism, design, and art. Beyond editorial work, Clarissa consults for national and international brands, curates architecture and design projects, and brings her discerning eye to prominent competitions such as Casa Cor São Paulo, Um Sonho de Banheiro Deca, and Portobello. In recognition of her contributions to the field, she was named Journalist of the Year by the Brasil Design Award in 2005. ART More than furniture—art pieces. We create with the intention that our designs endure through time, inhabiting homes that echo the atmosphere of galleries, where every detail is meant to be observed with care, emotion, and a discerning eye. We’ve participated in recent editions of SP-Arte through meaningful collaborations. One of them was with J. Borges, the celebrated master of Brazilian folk art, who signed a collection of eight pieces featuring surfaces engraved with woodcut matrices carved by his own hands. In the year prior, our partnership with Projeto Soma resulted in a series of nine animal-shaped stools—bodies designed and built by Rodrigo Silveira, with heads and tails sculpted by Mehinako Indigenous artisans from the Upper Xingu. Throughout our five-year journey, our showroom has hosted works by various artists, including visual artist Heloisa Crocco, who transformed leftover leather from our factory into striking compositions. We’ve also combined reclaimed wood and industrial remnants to create wall pieces rich in form and texture. We see Brazilian craftsmanship and manual artistry—from leather to wood, from stitching to sculpting—as vital expressions of identity. These traditions infuse contemporary art with layers of history, emotion, and meaning. MADE BY BRAZILIANS We like to say that our brand speaks with an accent—and a touch of dendê—a tribute to the Bahian roots of our founders. Though based in Brazil’s Southeast, our journey spans the entire country—from North to South, Northeast to Center-West. Our collection reflects the richness of each region, proudly carrying the international code that connects us to the world: +55. Every piece captures the spirit of Brazil through its forms and inspirations—like the Envelope armchair, crafted with techniques rooted in Gaucho tradition; the Cabaça armchair, shaped by Bahian identity; the Sylvia line, echoing the architectural curves of Brasília; and the Carioca collection of sofas and chairs, among many others. ENVIRONMENTAL IMPACT At +55design, environmental responsibility extends beyond the wood we use. Our fabrics are natural and organic, with 22% of them made from recycled materials. They are free from chemicals in their production and have a reduced water consumption. In addition to our commitment to the environment, we continually foster partnerships with social projects and communities across the country that honor traditional craftsmanship. Among these are the Baniwa indigenous group, who designed the Arumã lamp in collaboration with studio MK27; the Kayapo people, who painted cushions for the brand; Araucária Arte em Lã, a network of women who co-created blankets with us; the Maravilha Handicraft Group, who crafted the Ambé vine baskets for the Dona Antônia lamp, a process certified by the IMAFLORA seal; and the Women’s Association of Piauí, who developed the Ashansu panel, a 100% handcrafted piece by artisan Iraci, made from Carnaúba fiber.

  • joão chair | 55design

    Chairs Bruno de Carvalho Carioquinha Chair The relaxed elegance of the Carioca lifestyle is embodied in this chair. We achieved structural lightness in this product by using aluminum covered in double-layered fabric and foam, along with casters. Comfort is provided by the shape and the composition of soft foams applied in different densities—all calendered, ensuring the necessary resilience of the material. To finish, the foams are embraced with a layer of down feathers, enhancing the comfort, feel, and drape of the fabric. The finish is completed with a removable linen cover, providing a visual lightness that reinforces the Carioca spirit. A highlight is the detail in cast brass, made using a sand mold and handcrafted by designer Bruno de Carvalho. Designer | Bruno de Carvalho Measurements 580 L | 600 P | 750 H mm (22.8" L | 23.6" D | 29.5" H) Materials fabrics from the gallia e mikaele line cast brass handle Download Bruno de Carvalho Request Quote

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Al. Gabriel M. da Silva, 2798
São Paulo, SP - Brazil

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